| The Dragon & the Damsel (1983), written and produced by Pelham Aldrich-Blake. Narrated by Sir David Attenborough as part of the BBC natural history series "Wildlife on One." |
| Looking to the future of world music, some fear that this melange of styles is the harbinger of an impending global cultural disaster, a multinational megamedia tsunami that will wipe out all "authentic" musical forms and replace them with one slick, all-encompassing, hideous musical blob. Even while frothy international pop is the lingua franca... |
| The picture signal wave form produced by the television camera is initially very weak, of the order of a few hundredths of a volt, and is therefore vulnerable to the random currents (noise) present in the succeeding transmission circuits. Immediately upon leaving the camera, therefore, the picture signal must be strengthened, and this process... |
| The live music that accompanied silent films varied from a full orchestra to a honky-tonk piano, according to the size of the cinema. Music was effectively used on the film set to improve an actor's performance. With sound, music became an integral part of the picture on the screen. Early mood music was so expressive that often it now seems... |
| The Dragon & the Damsel (1983), written and produced by Pelham Aldrich-Blake. Narrated by Sir David Attenborough as part of the BBC natural history series "Wildlife on One." |
